vol_II_p020 — Bṛhaddeśī

Bṛhaddeśī · Volume II

p. 23folio 020

Devanāgarī (Bṛhaddeśī)

別は必要であった。 एकविंशतिसंख्य इति¹⁰ । तद्यथा - षड्जाया एक[:] षड्जो नाम न्यास:³ । एवमादि बोद्धव्या

अष्टादशजातिषु च न्यासा:। ५८अङ्गसमाप्तौअंश: कार्य इत्यर्थ:बोद्धव्यम्।

[अनु॰ १३१]

इदानीमपन्यासमाह - ६०अपन्यासोऽन्ते [न]⁴ । प्रयोग[ा]समाप्तौ अपन्यास: । स च षट्पञ्चाशद्भेदभिन्नो भवति, गीतानां मध्ये बोद्धव्यः¹² । यथा यत्र समाप्तमिव गीतं प्रतिभासते सोऽपन्यासः । स च विदारीमध्ये भवति⁹⁶ । गीतशरीरमध्य^६१॰ मध्यम इत्यर्थः । यथा – षड्जग्रामे षड्जमध्याया: सप्तापन्यासा भवन्ति । षड्जोदीच्यवायाश्च(ति ? नित) द्वौ , पञ्चानां प्रत्येकं त्रयं त्रयमिति चतुर्विंशति:।शेषास्तु मध्यमग्रामे।तथा चाह भरत: -

‘‘न्यासो ह्यङ्गसमाप्तौह्यंश स चैकविंशतिविधो विधातव्य:¹¹।

षट्पञ्चाशत्संख्यो भवेदपन्याससंज्ञोऽसौ ॥'' [तुल॰ ना॰ शा॰ २८.७२]²

॥ दशविधजातिलक्षणमिति ॥

[५. जातीनामंशादिविकल्पनम्]

६२ अंशा: स्यु: पञ्च षड्जायां•या६३ निषादर्षभवर्जिता: ।

अपन्यासस्तु गान्धार:(रा?रः) पञ्चमश्चाथ सङ्गति:स(ङ्गी?ङ्ग) ॥२११॥

षड्जगान्धारयोस्तु स्यात्स्याद् षड्जधैवतयोस्तथा⁷ ।

षाडवं च निषादे स्यात्⁸रास्यामौडुवितं भवेत्¹³ ॥२१२॥ •क्स्वं^६४°दौ• প্ৰ

English — Sharma

TRANSLATION. with which gita (tonal structure) is 'placed', left or ended is nyāsa.³ That nyāsa is twenty-one in number.¹⁰ That is - ṣaḍjā has one nyāsa as ṣaḍja, thus should be understood the nyāsas in the eighteen jātis. The purport is that (nyāsa) should be done at the end of the anga (lit.body of the tonal structure).

[10. The definition of apanyāsa]

[Anu. 131]

Now he (the author) spoke (speaks) of apanyāsa; apanyāsa does not occur in the end (of the gita).⁴ Apanyāsa occurs before the end of the prayoga (performance).⁵ And that is of fifty-six kinds, it should be understood as occurring within the gitas.¹² Where the gita appears to be ending, that is apanyāsa. That occurs within the vidārīs (sections or sub-sections).⁶ The implication is that it is within the body of the gita. (It operates) thus - in ṣaḍjagrāma the ṣaḍjamadhyā jāti has seven apanyāsas, ṣaḍjodīcyavā has two, (and the remaining) five have three each and thus they are twenty-four. The rest (thirty-two) are in madhyamagrāma. Similarly has said Bharata - "Nyāsa occurs at the end of anga (lit.body) and that should be made twenty-onefold. This one named apanyāsa is fifty-six in number."¹ (Cf. NŚ XXVIII.72) Thus end the tenfold ^{40} characteristics of jāti.

[5. Optional and alternative prescription of amsa and the like in jātis]

In ṣāḍjī there are five amśas, omitting mṣāḍa and ṛṣabha, gāndhāra and pañcama are apanyāsas and then there is sangati (coming together or concert) of ṣaḍja-gāndhāra and ṣaḍja-dhaivata.⁷ Its ṣāḍava (form) is (made) through (the omission of) niṣāda.⁸ There is no auduvita form in this (jāti).¹³

← II p019 index II p021 →

Sanskrit attestations (12)

2.[citation] ⇄Bharata's statement on nyāsa and apanyāsa is cited from Nāṭya Śāstra XXVIII.72[तुल॰ ना॰ शा॰ २८.७२]

3.[definition] ⇄Nyāsa is the point at which a gita (tonal structure) is placed, left, or endedन्यासः

4.[definition] ⇄Apanyāsa does not occur at the end of a gitaअपन्यासोऽन्ते [न]

5.[definition] ⇄Apanyāsa occurs before the end of the prayoga (performance)प्रयोग[इ]समाप्तौ अपन्यासः

6.[definition] ⇄Vidārīs are sections or sub-sections where apanyāsa occursस च विदारीमध्ये भवति

7.[definition] ⇄Sangati is a coming together or concert of pitch classes like ṣaḍja-gāndhāra and ṣaḍja-dhaivataषड्जगान्धारयोस्तु स्यात् षड्जधैवतयोस्तथा

8.[definition] ⇄Ṣāḍava is a form created by omitting the niṣāda pitchषाडवं च निषादे स्यात्

9.[relation] ⇄Apanyāsa occurs within the vidārīs (sections of gita)स च विदारीमध्ये भवति

10.[structural] ⇄Nyāsa is twenty-one in numberएकविंशतिसंख्य इति

11.[structural] ⇄Nyāsa occurs at the end of anga (body of tonal structure)न्यासो ह्यङ्गसमाप्तौ स चैकविंशतिविधो विधातव्यः

12.[structural] ⇄Apanyāsa is of fifty-six kindsषट्पञ्चाशद्भेदभिन्नो भवति, गीताना मध्ये बोद्धव्यः

13.[structural] ⇄Auduvita form does not exist in the ṣāḍjī jātiषाडवं च निषादे स्यात्रास्यामौडुवितं भवेत्

English attestations (13)

1.[attribution]Bharata is quoted as an authoritative source on nyāsa and apanyāsa doctrineSimilarly has said Bharata - "Nyāsa occurs at the end of anga (lit.body) and that should be made twenty-onefold. This one named apanyāsa is fifty-six in number."

2.[citation]Bharata's statement on nyāsa and apanyāsa is cited from Nāṭya Śāstra XXVIII.72(Cf. NŚ XXVIII.72)

3.[definition]Nyāsa is the point at which a gita (tonal structure) is placed, left, or endedwith which gita (tonal structure) is 'placed', left or ended is nyāsa.

4.[definition]Apanyāsa does not occur at the end of a gitaapanyāsa does not occur in the end (of the gita).

5.[definition]Apanyāsa occurs before the end of the prayoga (performance)Apanyāsa occurs before the end of the prayoga (performance).

6.[definition]Vidārīs are sections or sub-sections where apanyāsa occursThat occurs within the vidārīs (sections or sub-sections).

7.[definition]Sangati is a coming together or concert of pitch classes like ṣaḍja-gāndhāra and ṣaḍja-dhaivataand then there is sangati (coming together or concert) of ṣaḍja-gāndhāra and ṣaḍja-dhaivata.

8.[definition]Ṣāḍava is a form created by omitting the niṣāda pitchIts ṣāḍava (form) is (made) through (the omission of) niṣāda.

9.[relation]Apanyāsa occurs within the vidārīs (sections of gita)That occurs within the vidārīs (sections or sub-sections).

10.[structural]Nyāsa is twenty-one in numberThat nyāsa is twenty-one in number.

11.[structural]Nyāsa occurs at the end of anga (body of tonal structure)Nyāsa occurs at the end of anga (lit.body) and that should be made twenty-onefold.

12.[structural]Apanyāsa is of fifty-six kindsAnd that is of fifty-six kinds, it should be understood as occurring within the gitas.

13.[structural]Auduvita form does not exist in the ṣāḍjī jātiThere is no auduvita form in this (jāti).

← II p019 index II p021 →