BRHADDEŚĪ tradition_name

BRHADDEŚĪ xii 169 ii. Dākṣiṇātyā 169 Gändhäri iii. . 169 Śrikanthi iv. 169 Paurālī ٧. 171 Bāngālī vi. 171 Saindhavī vii. 171 viii. Kālingī 173 Pulindi ix. 173 7.Bhāṣās in sauvīraka 173 Sauvīrī i. 173 Vegamadhyamā ii. 175 Sādhāritā iii. 175 Gändhäri iv. 175 8.Bhāṣāsof bhinnapañcama 175 Suddhabhinnā i. 175 ii. Varāţi 177 iii. Dhaivatabhūșită 177 Viśālā iv. 177 9.Bhāṣāsin boṭṭarāga 177 Mangalā(lī) 177 10.Bhāṣās in mālavapañcama 177 Bhāvinī 179 11.Bhāṣās in takkakaiśika 179 Mālavā i. 179 Bhinnavālikā ii. 179 Drāvidī iii. 179 12.Bhāṣās in vesaraṣāḍava 181 Bāhyaṣāḍavā i. 181 Nādākhyā ii. 181 13. Bhāṣās in bhinnatāna 181 Tānodbhavā 181 14.Bhāṣasin gāndhārapañcama 181 Gändhäri 183 15. Bhāṣās in pañcamaṣāḍava 183 Sakabhāşā 183 B. Bhāṣās according to Śārdūla. 185 1.Bhāṣāsin takka 185 Devālavardhanī i.

A STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE STATE OF THE BRHADDEŚĪ 158 [४.अथ हिन्दोलके] भिन्दोलके++ षड्ज?ांशन्याससंयुक्ता धैवतेन च दुर्बला । षड्जगान्धारसञ्चारस्तत्र योज?्यः प्रयोक्तृभिः॥ यो(न्य?ज?्यः) गान्धारस्य प्रयोगेण भाषेयं स्याद्धि वेसरी^६६ ॥ ८३॥ तस्य उदाहरणम्-सासागासासनिपानि। माधामागासमासासासा। स म गा स प म रि गा सा नि नि मा सा गा सा सा । ध नि पा पा प नि सा सा । वेसरी । [१] गा ^६७पञ्चमांशर्षभहीना षड्ज?ान्ता षाडवा भवेत् । ॰मांशा ऋषभ॰ षड्जपञ्चमसंवादो द्विश्रुतीना तथैव च ॥ भाषा हिन्दोलके ह्येषा कथिता प्रथममञ्जरी^६८ ॥ ८४॥ उदाहरणम् – पा पा पा पा ध म पा नी सा पञ्चमपाधनि धा सा सा पा पा नि सा सा सा गा सा पा गा मा नि स नि पापा निसा गा नि सा नि सा सा । प्रथममञ्जरी । [२] षड्ज?ांशन्याससंयुक्ता ६९सम्पूर्णा धेन दुर्बला । संवादश्चेव कर्तव्यः षड्जमध्यमयोस्तथा ॥ षड्जगान्धारयोर्नित्यं छेवाटी सम्प्रकीर्तिता^७० ॥ ८५॥ चेवाटी उदाहरणम् - सा पा सा । मा गा सा सा गा म नि मा पा मा सा सा मा मा नी मा मा नी मा मा नी मा मा पा पा गा मा सासा सा गा सा नी । सा गा सा नी स नि धा म धा मा पा पा पा धा मा मा ध म प म ग रि सा सानीनीनीसागारी मामारीनीसासा। छेवाटी।[३] न्दी षड्ज?ांशा मध्यमान्ता च निषादर्षभदुर्बला । षड्जमध्यमसंवादस्तथा गान्धारपञ्चमे ॥ ८६॥ षाडवौडुविता ज?्ञेया प्रकृत्या षड्जमध्यमा । एषा भाषा तु कथिता किन्नरैरिप गीयते ॥ ८७॥

TRANSLATION ¹⁶⁷ Kaiśikī has pañcama as nyāsa, madhyama as aṁśa, is weak in ni(niṣāda), there is (mutual) movement between madhyama-dhaivata and abundance of pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā (mixed). (102) Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั- sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x] These are the ten bhāṣās in pancama (rāga) described by Yāṣṭika. (103) [6. Bhāṣāsin bhinnaṣaḍja] After this, I shall speak of the bhāṣās in bhinnaṣaḍja. (104) Having dhaivata as amsa and the same as concluding note, being devoid of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja- gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist in bhinnaṣaḍja and it becomes pentatonic when devoid of ṣaḍja.46 (105) lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā Śuddhā [i] Having dhaivata as amsa, dhaivata as the concluding note, the concert between sadja-dhaivata, there being (mutual) movement between sadja- dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa (region)⁴⁷ and is born of (bhinna) şadja. (106)

PÄTHA VIMARŚA 145 8. MS A reading recorded by the ed. - 'dviḥ ka'. 9. S R V, 12 reads padmini. 10. MS B reading recorded by the ed. - 'bavartitā'. 11. MS B reading recorded by the ed. - 'vanita'. 12. cf. S R V, 12-14. 13. S R V, 15cd, 16ab prescribes the first two mātrās in the citramārga, the first two and the last two i.e. seventh and eighth ( not the third and fourth as in our text) in vārtika mārga and of course all the eight in dakṣiṇa mārga. 14. The text is utterly confused and mutilated at this point as - दक्षिणा चोर्ध्वगा चित्रे द्वे तु ध्वकासर्पिणी। कृष्ट्या पश्चिनी +++++++++ ॥ अधवा प्रथमे मध्यमागुलीयो ( ? ) द्वितीये सार्धनि ++ । तृतीये मुष्टिमोक्षण्च ( च ) तुर्थे करपातना ॥ धूवका सर्पिणी चित्रे दक्षिणा वितीचित गीता ( ? )॥ उभयवाद्यप्रवर्तनवशात् प्रतीतिश्चागीतप्रधानदक्षिणा वृत्ति उभयप्रधाना वृत्ति मवित्ति ( ? ) बाराप्रधाना चित्रवृत्ति । The above verses have been dropped by us because (i) they almost repeat the content of verses 180-82 and (ii) whatever seems to be new in them is not found in any other text to form the basis of reconstruction. The prose portion has been reconstructed on the basis of NS XXIX, 71 and Abhi Bhā. 15. This line has been reconstructed on the basis of NS XXIX, variant recension, p. 133, 34. 16. cf. चित्रे समा यति । दूतो लयः । उपरिपाणि मागधी । ओघोऽवयवः अनागतग्रहः । अभिसृतवाद्यप्रयोगः । .(Bha Ko, p. 481) 17. P.t. repeats 'samānā'. 18. P.t. has been reconstructed as 'abhīkṣṇam', meaning 'at once' as it is nearest to the available reading and also fits the context as an alternative (synonym) of 'samam' i.e. together. 19. The reading of P.t. 'vādyaprayoga' has been replaced with 'vādyagrahayoga', because this reading recurs in the following sentence and is more appropriate because of the incorporation of 'graha'. 20. P.t. repeats 'vande iti padadvayena'. 21. cf. एतदुक्तम् । देवमिति पदं गीत्वा प्रथमकला निर्वाहुय विलम्बितेन लयेन यदा द्वितीया फला मध्यमलयेन देविमत्येतेन पदेन शर्विमिति शब्दसहितेन गायित ततोऽपि तृतीया कला द्वुतलयेन देव शर्विमिति पदान्तरसहितेन निर्वा हयति 👚 एव देव इत्यय शब्दः कलात्रयव्यापनात् त्रिनिवृत्तिनिर्वाह् एव। एवं तत शर्विमित्यादयोऽप्युत्तरकलाव्यापिनस्तदा मागद्यी गीति । मगधेषु तथा गाननिर्वाहोपलम्भात् । (Abhi Bhā, NŚ XXIX, p. 93) 22. P.t. reads - sasa - māsama marinii.