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Bṛhaddeśī · Volume II
pp. 106–107folio 062
Devanāgarī (Bṛhaddeśī)
[अनु॰ १८८]
अस्यार्थ: - गौडकैशिको रागोरा(मो?गो) मध्यमग्रामसम्बन्ध: कैशिकोषड्जमध्यमाभ्यां जात:
षड्जोऽस्य ग्रहोंऽशश्च117पञ्चमो न्यास:8निषादोऽत्र काकली9पूर्णश्चायम्10। तथा प्रयोगोऽस्ति६४
त्रिश्रुतिकत्वात् पञ्चमस्य,चतुःश्रुतिकत्वाद् धैवतस्य, मध्यमग्रामसम्बन्ध एवासौ रागः । यद्यपि ग्रामद्वयजातौ जात:, तथापि मध्यमोऽस्यपद्जी ग्राम:, न षड्ज:1६५मध्यम: । तथा दर्शनात् । करुणे चास्य विनियोगः । वीरादिको रसः। षड्जादिमूर्छना14। आरोही वर्णः। प्रसन्नादिरलङ्कारः13। दक्षिणे कला,
वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:15
[३.गौडकैशिकमध्यम:]
६६षड्जांशो मध्यमन्यास: षड्जमध्यमया॰मध्यम(वा?या) कृत: ।
परिपूर्णस्वर: प्रोक्तो गौडकैशिकमध्यम: ॥३१८॥
[अन्॰ १८९]
अस्यार्थ: - गौडकैशिकमध्यम: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेर्जातत्वात्2 । षड्जोऽस्य प(इज)मध्यमाजाते(त?)र्जातत्वात्
ग्रहोंऽशश्च । मध्यमो न्यास:12 । निषादोऽत्र काकली । पूर्णश्चायम् । भयानके चास्य विनियोग:3
वीरादिको रस:। षड्जादिमूर्छना। आरोही वर्ण:। प्रसन्नमध्योऽलङ्कार:। दक्षिणे कला, वार्तिके
कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।
[गौडरागाणां ग्रामविभाग:]
इदानीं गौडानां ग्रामविभागमाह -
गौडपञ्चमक:॰पञ्चं(ग?क): षड्जे गौडकैशिकमध्यम:।
गौडकैशिकरागस्तु मध्यमग्रामसंश्रय:॥
त्रयो गौडा: समाख्याता रागान् वक्ष्याम्यत: परम्4 ॥३१९॥
English — Sharma (translation)
[Anu. 188]
This means-gaudakaiśika rāga is related to madhyamagrāma6 and is born of kaiśikī and şadjamadhyamā5. Şadja is its graha and amśa. Pañcama is nyāsa.8 Niṣāda is kākalī here.9 This (rāga) is complete.10 Such is its performance. On account of pañcama being comprised of three śrutis, dhaivata being comprised of four śrutis, this rāga is related to madhyamagrāma alone. Although it is born of the jātis of two grāmas, yet its grāma is madhyama, not ṣadja, because it is seen as such. Its application is prescribed in karuna (rasa). Vīra63 and the like is the rasa. The mūrchanā beginning with ṣadja obtains. Ārohin is the varņa, prasannādi is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatputa obtains in the songs comprised of svara and pada.15 Gaudakaisikamadhyama is said to have şadja as its amsa, madhyama as its nyāsa and to be formed by ṣaḍjamadhyamā (jāti) and to have complete svaras.
(318)
[Anu. 189]
This means – gaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti.2 Şadja is its graha and amśa. Madhyama is the nyāsa.12 Niṣāda is kākalī here and this (rāga) is complete. Its application is prescribed in bhayānaka (rasa).3 Vīra and the like is the rasa. The mūrchanā beginning with sadja obtains. Arohin is the varna. Prasannamadhya is the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and pada.
[The assignment of gaudaragas to gramas]
Now he (the author) has spoken of the assignment of gauda (ragas) to grāmas- Gaudapañcama is in ṣadja (grāma) and so is gaudakaiśikamadhyama. Gaudakaisika, on the other hand, is based on madhyamagrāma. The three gauda (rāgas) have been dealt with. After this, I will speak of rāgas (pertaining to vesarā gīti).4 (319)
1.[relation] Although gaudakaiśika is born of jātis of two grāmas, its grāma is madhyama, not ṣaḍjaयद्यपि ग्रामद्वयजातौ ज?ातः, तथापि मध्यमोऽस्य ग्रामः, न षड्ज?:
2.[relation] Gaudakaiśikamadhyama is related to şadjagrāmaगौडकैशिकमध्यमः षड्जग्रामसम्बन्धः षड्जमध्यमाज?ातेर्ज?ातत्वात्
3.[relation] Gaudakaiśikamadhyama is prescribed for application in bhayānaka rasaभयानके चास्य विनियोगः
4.[relation] Vesarā gīti rāgas are discussed after the gauda rāgasरागान् वक्ष्याम्यतः परम्
5.[relation]Gaudakaiśika rāga is born of kaiśikī and şadjamadhyamā jātisgaudakaiśiko rago madhyamagrāmasambandhaḥ kaiśikoṣaḍjamādhyamābhyā jātaḥ
6.[relation]Gaudakaiśika rāga is related to madhyamagrāmagaudakaiśiko rago madhyamagrāmasambandhaḥ
7.[structural] Şadja is the graha and aṁśa of gaudakaiśika rāgaषड्ज?ोऽस्य ग्रहोंऽशश्च
8.[structural] Pañcama is the nyāsa of gaudakaiśika rāgaपञ्चमो न्यासः
9.[structural] Niṣāda functions as kākalī in gaudakaiśika rāgaनिषादोऽत्र काकली
10.[structural] Gaudakaiśika rāga is complete with all svarasपूर्णश्चायम्
11.[structural] Şadja is the graha and aṁśa of gaudakaiśikamadhyamaषड्ज?ोऽस्य ग्रहोंऽशश्च
12.[structural] Madhyama is the nyāsa of gaudakaiśikamadhyamaमध्यमो न्यासः
13.[structural] Prasannādi is the alaṅkāra of gaudakaiśika rāgaप्रसन्नादिरलङ्कारः
14.[structural] The mūrchanā of gaudakaiśika rāga begins with ṣaḍjaषड्ज?ादिमूर्छना
15.[structural] Caccatpuṭa is a tāla used in songs comprised of svara and padaस्वरपदगीते चच्चत्पुटादितालः
1.[relation]Although gaudakaiśika is born of jātis of two grāmas, its grāma is madhyama, not ṣaḍjaAlthough it is born of the jātis of two grāmas, yet its grāma is madhyama, not ṣaḍja
2.[relation]Gaudakaiśikamadhyama is related to şadjagrāmagaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti.
3.[relation]Gaudakaiśikamadhyama is prescribed for application in bhayānaka rasaIts application is prescribed in bhayānaka (rasa).
4.[relation]Vesarā gīti rāgas are discussed after the gauda rāgasAfter this, I will speak of rāgas (pertaining to vesarā gīti).
5.[relation] Gaudakaiśika rāga is born of kaiśikī and şadjamadhyamā jātisgaudakaiśika rāga is related to madhyamagrāma and is born of kaiśikī and şadjamadhyamā
6.[relation] Gaudakaiśika rāga is related to madhyamagrāmaThis means-gaudakaiśika rāga is related to madhyamagrāma
7.[structural]Şadja is the graha and aṁśa of gaudakaiśika rāgaŞadja is its graha and aṁśa.
8.[structural]Pañcama is the nyāsa of gaudakaiśika rāgaPañcama is nyāsa.
9.[structural]Niṣāda functions as kākalī in gaudakaiśika rāgaNiṣāda is kākalī here.
10.[structural]Gaudakaiśika rāga is complete with all svarasThis (rāga) is complete.
11.[structural]Şadja is the graha and aṁśa of gaudakaiśikamadhyamaŞadja is its graha and aṁśa.
12.[structural]Madhyama is the nyāsa of gaudakaiśikamadhyamaMadhyama is the nyāsa.
13.[structural]Prasannādi is the alaṅkāra of gaudakaiśika rāgaprasannādi is the alaṅkāra.
14.[structural]The mūrchanā of gaudakaiśika rāga begins with ṣaḍjaThe mūrchanā beginning with ṣaḍja obtains.
15.[structural]Caccatpuṭa is a tāla used in songs comprised of svara and padaA tāla like caccatputa obtains in the songs comprised of svara and pada.