Āndhrī is a rāga type that has nisāda, ṛṣabha, gāndhāra and pañcama as its aniśas
"In āndhrī, niṣāda, ṛṣabha, gāndhāra and pañcama are the aniśas."
TRANSLATION
<sup>71</sup>
gā pā mā pā nī nī nī nī
(11)
mă pă mă pariga gā gā gā gā
(12)
ni ni pā dhā ni gā gā gā
(13)
nî nî nî nî nî nî nî nî
(14)
mã mã dhã nĩ sani dhã pã pã
(15)
mā pā mā pariga gā gā gā gā
(16)
Thusends gāndhārapancami.
[8. Āndhrī]
In āndhrī, niṣāda, ṛṣabha, gāndhāra and pañcama are the aniśas. There is
concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed
upto the nyāsa according to the order of the respective amsas.
(21)
The hexatonic form comes into being with the omission of sadja. The
mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga
(application) are said to be as in the previous one (gāndhārapañcamī).
(22)
Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas.
The prastāra is thus –
gārirīrīrīrīrīrī
(1)
rī gā rī gā rī rī rī rī
(2)
rī rī gā gā rī rī mā mā
(3)
rī gā sā dhani nī nī nī nī
(4)
ni ri ni ri dhani dhani pā pā
(5)
mā pā mā riga gā gā gā gā
(6)
rī rī gā sa ma mā mā pā pā
(7)
mā pā mā riga gā gā gā gā
(8)
dhā nī gā gā gā gā gā gā
(9)
pā pā mā riga gā gā gā gā
(10)