pada technical_term

Dictionary: not in dictionary · Pages: 1 · Occurrences: 7 · Affirmations: 1 · Graph degree: 47 (in 42, out 5)

Variants (2): pada (5), padas (2)

Generative rules (1) ↗ filter all

pada_one_of_four_gita_components enumeration · 1 att.
Pada is one of the four components of gīta: svara, pada, tāla, mārga.

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: pada (cluster 124)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (4)

--[enumeration]--> Gita (2)--[enumeration]--> mārga (1)--[enumeration]--> svaras (1)--[enumeration]--> tāla (1)

Incoming (32)

caccatpuṭa --[structural]--> (8)caccatpuṭa --[relation]--> (2)Śukasārika --[structural]--> (2)शरभलीलक --[structural]--> (2)Caccatpuța --[relation]--> (1)Kohala --[attribution]--> (1)Varņa --[relation]--> (1)birudas --[structural]--> (1)gandharva --[relation]--> (1)vinyāsa --[definition]--> (1)vidārī --[structural]--> (1)kanda --[structural]--> (1)varņasvara --[definition]--> (1)Muktāvalī --[definition]--> (1)ardhamāgadhī --[definition]--> (1)ākṣiptaka --[definition]--> (1)Varnailā --[structural]--> (1)cakravāla --[definition]--> (1)pratitāla --[relation]--> (1)tenakas --[relation]--> (1)anuprāsa --[relation]--> (1)gīti --[relation]--> (1)bhadrāvatī --[structural]--> (1)Pada-giti --[relation]--> (1)Krauńcapada --[structural]--> (1)Tribhaṅgi --[definition]--> (1)mūrchanā bindu --[structural]--> (1)गजलीला --[structural]--> (1)कलहंसक --[structural]--> (1)चक्रवाल --[definition]--> (1)वर्णा --[definition]--> (1)dvirnivitta --[definition]--> (1)

Affirmations (1)

enumeration

p.vol_II_p163

english

conf 0.93

[show source]

Pada is one of four components of gīta, along with svara, tāla, and mārga

"The four components of gita have been enumerated as svara, pada, tāla and mārga"

VIMARŚA <sup>309</sup> 85. The gandhara and that too antara becomes the dhaivata of madhyamagrāma. Perhaps this phenomenon is being indicated here. 86,87. Adbhuta and hasya on the one hand and karuna on the other are incompatible. 88. The freedom of the performer is being indicated here. 89,90,91. The situations mentioned under viniyoga and the rasa vīra are perfectly compatible. 92. Yuddhavīra is one of the four varieties of vīra rasa. See note 53. 93. The indication of murchana finds place in the description of jatis for the first time. No rule is prescribed for assigning a particular mūrchanā to a given jāti. Here it is said that the mūrchanā of jāti is known from the 'statements of authorities', which implies that there is no prescribed rule. 94. The import seems to be that the amsa that is predominant among amsas (in the case of jātis with more than one amsa) determines the mūrchanā of a jāti. 95. The four components of gita have been enumerated as svara, pada, tāla and mārga (vide citation in the name of Kasyapa in Kalā on SR II.30-32). 96. Dhruvāis a metrical text that is performed in pūrvaranga, where the compositions in Sanskrit or in prescribed non-lexical syllables are used. The dhruvā performed within the drama is invariably in Prākṛta and provides a figurative and poetic commentary on the happenings in the drama. NS XXXII gives numerous illustrations of dhruvā texts. 97. The ten forms of rūpaka are described in NS XVIII; they are - nāṭaka, prakaraṇa, aṅka, vyāyoga, bhāṇa, samavakāra, vīthī, prahasana, ḍima and īhāmṛga. 98. Prastāvanā(lit.introduction) is twofold, one occurring in the end of the Pūrvaranga and the other in the beginning of the play immediately after nāndī i.e. one is composed by the sūtradhāra known as director and the other by the poet called playwright to-day. 99. Mukha and pratimukha are the first two among the five sandhis or junctures of drama. 100,101. Garbha is the third sandhi and avamarsa (another name for vimarsa) is the fourth one. Chapter IV (The description of bhāṣās) [ A. Bhāṣās according to Yāṣṭika ] 1. This whole portion on bhāṣās according to Yāṣṭika seems to form part of an independent text. We have retained it in our reconstructed text as it embodies very valuable material, but we have numbered its verses