vol_II_p004 — Bṛhaddeśī

Bṛhaddeśī

4 = 12 ŧ viii 9. A repeated definition of śuddhā jāti 10. The vikṛtā state of śuddhā jātis The illustration of şādjī 11. The particular characteristics of jātis 1. Şādjī • • Ārşabhī 2. .: Dhaivatī 3. Naisādī 4. Şadjakaisikī 5. Şadjodicyavā 6. Şadjamadhyamā 7. Găndhări 8. Raktagāndhārī 9. 12. Description of nine jātis in the interpolated portion ; Şadjamadhyamā 1. Gändhärodicyavä 2. Raktagāndhārī 3. Kaiśikī 4. Madhyamodicyavā 5. Kārmāravī 6. Gåndhärapañcami 7. Āndhrī 8. Nandayantī 9. CHAPTER III The description of ragas Propitiation The definition of raga and its etymology The types of giti The opinion of Matanga The opinion of Durgaśakti The opinion of Bharata The opinion of Yāşţika The opinion of Kasyapa and Sārdūla The description of gitis . ' ' Šuddhāgīti Bhinnāgīti 2. Gauḍī gīti and its component ohāṭī 3. Rāgagīti 4.

translation

General Section CONTENTS ix . Sādhāraņīgīti 5. 6. Bhāṣāgīti Vibhāṣāgīti 7. The number and nomenclature of ragas The specific description of rāgas A. Out of them śuddha rāgas Suddhaşādava 1. Śuddhapańcama 2. Suddhasādhārita 3. Suddhakaisikamadhyama 4. Śuddhakaiśika 5. The assignment of grāmas to śuddha rāgas The application of suddha rāgas B. Bhinna rāgas Svara-bhinna Bhinna-şadja l. Bhinna-pañcama 2. Jāti-bhinna 3. Bhinnakaisikamadhyama Suddhabhinna Bhinnakaisika 4. Śruti-bhinna Bhinnatāna 5. The assignment of bhinna-rāgas to grāmas C. Gauda rāgas 1. Gaudapañcama Gaudakaisika 2. Gaudakaisikamadhyama 3. The assignment of gauda rāgas to grāmas D. The rāgas pertaining to rāga-gīti or vesarā-gīti 1. Takkarāga Sauvīra 2. Mālavapancama 3. Vesarașādava 4. Botta-rāga 5. Hindola 6. Takkakaisika 7. Mālavakaišika 8. . .

Sanskrit attestations (0)

English attestations (10)

1.[attribution]Matanga is cited as one of several authorities on the definition and types of giti in the Brihaddesi.The opinion of Matanga 79

2.[attribution]Bharata is cited as one of several authorities whose opinions on rāga and giti are presented in the Brihaddesi.The opinion of Bharata 81

3.[citation]The Brihaddesi is a treatise on Indian classical music attributed to Matanga, composed around 750 CE.BRHADDEŚĪ viii 43 9. A repeated definition of śuddhā jāti

4.[enumeration]Giti has multiple types including Śuddhāgīti, Bhinnāgīti, Gauḍī gīti, Rāgagīti, Sādhāraņīgīti, Bhāṣāgīti, and Vibhāṣāgīti.The description of gitis . ' ' 81 Šuddhāgīti 81 Bhinnāgīti 2. 83 Gauḍī gīti and its component ohāṭī 3. 83 Rāgagīti 4.

5.[enumeration]Bhinna rāgas are classified into subtypes including Svara-bhinna, Jāti-bhinna, Śruti-bhinna, and Suddhabhinna categories.B. Bhinna rāgas Svara-bhinna Bhinna-şadja l. Bhinna-pañcama 2. Jāti-bhinna 3.

6.[enumeration]Gauda rāgas form a distinct category including subtypes such as Gaudapañcama, Gaudakaisika, and Gaudakaisikamadhyama.C. Gauda rāgas 1. Gaudapañcama Gaudakaisika 2. Gaudakaisikamadhyama 3.

7.[enumeration]Śuddha rāgas are classified into at least four varieties: Suddhaşādava, Suddhasādhārita, Suddhakaisikamadhyama, and Śuddhakaiśika.A. Out of them śuddha rāgas Suddhaşādava 1. 2. Suddhasādhārita 3. Suddhakaisikamadhyama 4. Śuddhakaiśika 5.

8.[enumeration]Rāga-gīti or vesarā-gīti is a category of rāgas that includes subtypes such as Takkarāga, Sauvīra, Mālavapancama, Vesarașādava, Botta-rāga, Hindola, and Takkakaisika.D. The rāgas pertaining to rāga-gīti or vesarā-gīti 1. Takkarāga Sauvīra 2. Mālavapancama 3. Vesarașādava 4.

9.[enumeration]Bhāṣāgīti and Vibhāṣāgīti are distinct types of giti listed in the Brihaddesi's classification system.Sādhāraņīgīti 5. 6. Bhāṣāgīti 7. Vibhāṣāgīti

10.[structural]Śuddhā jāti is a fundamental concept in the Brihaddesi, defined and discussed with particular characteristics.9. A repeated definition of śuddhā jāti 43 10. The vikṛtā state of śuddhā jātis