Domain #5 : tāla, prabandha, rhythmic compositions 6c.3

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

§caccatputa_karmaravi_variantderivation

() → TalaConfig

Sourced by

R_c47_caccatputa structural

caccatpuṭa = premier des 5 tālas du Nāṭyaśāstra XXXI, caturasra, 4 kalās = 8 mātrās; lié à Gāndhārodīcyavā, Kārmāravī (16 kalās variante), et chants svara+pada

enThe tāla should be known as caccatpuța.vol_II_p038

enCaccatpuța (is the tāla), there are sixteen kalās.vol_II_p042

+ 3 more verbatim

§varnaila_atderivation

(index: int) → Varnaila

Sourced by

varnaila_seven_varieties enumeration

Varṇailā has seven varieties: madanavatī, śaśilekhā, prabhāvatī, mālatī, lalitā, hemavatī, kusumavatī.

VARNAILA_VARIETIES = ['madanavati','shashilekha','prabhavati','malati','lalita','hemavati','kusumavati']

enMadanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) kusumavatī, these seven are the elās regulated on the basis of varņa (syllable).vol_II_p123

The seven varṇailā varieties progress from eleven to seventeen syllables per foot in sequence.

def varnaila_syllable_count(variety_index): assert 0 <= variety_index < 7 return 11 + variety_index # 11..17

enBeginning with eleven syllables and ending with seventeen (syllables in each foot), these seven are sung in sequencevol_II_p123

varnaila_talas_set enumeration

Varṇailā is sung in tālas including maṇṭha, dvitīya, kaṅkāla, and ḍmatitāla.

VARNAILA_TALAS = ['mantha','dvitiya','kankala','dmatitala']

enIt is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla.vol_II_p124

§all_varnailasenumeration

() → list[Varnaila]

Sourced by

varnaila_seven_varieties enumeration

Varṇailā has seven varieties: madanavatī, śaśilekhā, prabhāvatī, mālatī, lalitā, hemavatī, kusumavatī.

VARNAILA_VARIETIES = ['madanavati','shashilekha','prabhavati','malati','lalita','hemavati','kusumavati']

enMadanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) kusumavatī, these seven are the elās regulated on the basis of varņa (syllable).vol_II_p123

varnaila_seven_count enumeration

There are seven varieties of varṇailā described in a similar (samarasa) manner.

VARNAILA_VARIETY_COUNT = 7

ennow the seven varnailās are being described in a way similar (samarasa) to the same.vol_II_p124

§kandaconstruction

() → Prabandha

Sourced by

R_172_kanda_definition definition

Kanda is the first prabandha, bereft of tāla, combined with pāṭas and birudas, mixed with Karpāṭa language pada

DEFINE kanda AS prabandha WHERE rank=1 AND tala=null AND contains({patas, birudas}) AND text_language=karpata

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

sktआद्यः प्रबन्धः कन्दाख्योvol_II_p111

+ 1 more verbatim

§hayalilaconstruction

() → Prabandha

Sourced by

R_1123_01 definition

hayalīlā = svaras (1st half) + birudas (2nd half) in turagalīla tāla

FUNCTION define_hayalīlā(): RETURN {first_half: 'svaras', second_half: 'birudas', tāla: 'turagalīla'}

enWhere the (first) half is sung with svaras, in turagalīla (tāla), (and the latter) half is sung with birudas, that is known as hayalīlā.vol_II_p116

R_4p1_1362 structural

Hayalīlā is a tāla-type composition: first half sung with svaras, second half with birudas, bound by hayalīlā gaṇas

DEFINE hayalīlā AS composition_form SET tāla = hayalīlā PARTITION composition INTO halves: first_half := sung_with(svaras) second_half := sung_with(birudas) BINDING: hayalīlā_gaṇas

sktहयलीलेन तालेन हयलीलाऽपि गीयते ।vol_II_p153

sktप्रथमार्धं स्वरैज?्ञेंयं द्वितीयं बिरूदैः पुनःvol_II_p153

R_1122_turagalila_hayalila relation

turagalīla tāla is used in hayalīlā compositions

ASSIGN tala(hayalila) := turagalila

enin turagalīla (tāla)vol_II_p116

§sarabhalilaconstruction

() → Prabandha

Sourced by

R_1127_sarabhalila_eight_feet composition

Śarabhalīla: 8 pādas composed with svaras+pāṭas, with 8 rāgas and 8 tālas

DEFINE sarabhalila_spec(): RETURN {n_pada: 8, n_raga: 8, n_tala: 8, elements: [svara, pata]}

enWhere eight feet are composed with svaras and pāṭas, that is held to be śarabhalīla, having eight rāgas and tālas.vol_II_p116

BD_6_1_R013 structural

Śarabhalīlaka: 8 svarapadas with different rāga and tāla in each pada

DEFINE sharabhalilaka: n_padas = 8 FOR pada IN padas: pada.raga = DISTINCT_RAGA // different per pada pada.tala = DISTINCT_TALA // different per pada pada.has_svaras = true

sktपदे पदे भवेद् रागस्तालश्चान्यः पदे पदेvol_II_p153

sktस्वरपदान्वितान्यष्टी पदकानि भवन्ति चेत् । अष्टौ रागास्तथा तालाः स स्यात् शरभलीलकःvol_II_p153

§kalahamsaconstruction

() → Prabandha

Sourced by

R_1093_kalahamsa_ordinal_29 enumeration

Kalahaṁsa is the twenty-ninth musical form (prabandha)

DEFINE prabandha(kalahamsa).ordinal := 29

enThe one named kalahamsa should be known by the wise to be the twenty-ninthvol_II_p112

R_5p2_1135 composition

Kalahaṁsa prabandha is set to jhampā tāla

IF prabandha == kalahamsa THEN tala = jhampa

sktझम्पादितालसंयुक्तःvol_II_p118

R_1134_kalahamsa_definition definition

Kalahaṁsa: prabandha where one foot is sung first, then svaras, combined with tālas like jhampā

DEFINE prabandha(kalahamsa) := sequence(sing_foot_1, sing_svaras) WITH tala IN {jhampa, ...}

enhaving sung one foot first, then svaras are sung, that is kalahamsa, combined with tālas like jhampāvol_II_p118

§prabandha_by_ordinallookup

(n: int) → str | None

Sourced by

There are 48 (eight above forty) varieties of beautiful prabandhas; mātṛkā is the 43rd, with other forms numbered in the forties.

count(beautiful_prabandhas) := 48; index(matrika) := 43

eneight above forty 92 (48) beautiful prabandhas are clearly to be seen.vol_II_p129

enthe prabandha bearing the name mātṛkā is known to be three more (than forty)vol_II_p112

§gamaka_in_elaconstruction

(host_form: str) → GamakaApplication

Sourced by

gamaka_sthita_in_ela validation

In elā, the gamaka must be rendered sthita (slow/steady).

def gamaka_in_ela(form, gamaka): if form == 'ela': assert gamaka.tempo == 'sthita'

enthe gamaka should be made sthita53 (slow?); this is the prescription in respect of elās.vol_II_p122

R_378_gamakas definition

Gamakas are melodic ornaments delightful to the ear, characteristically employed in vibhāṣā gīti compositions, often with sweet svaras.

IF composition_type == 'vibhasha_giti': REQUIRE gamakas with attributes {attractive, numerous, brilliant, shaken, chest_region, smooth, delightful}; gamakas combined_with sweet_svaras

enVibhāṣā gīti should be composed with gamakas that are attractive, numerous, brilliant, shakenvol_II_p051

enand is made of sweet svaras alongwith gamakasvol_II_p093

§gamaka_in_sukacancuconstruction

() → GamakaApplication

Sourced by

gamaka_in_shukacancu_opening relation

In śukacañcu compositions, gamaka appears at the beginning, in association with rāga and combined with tāla.

SHUKACANCU_OPENING = {'first_element':'raga_with_gamaka','accompanied_by':'tala'}

enIn the beginning there is rāga with gamaka, that which is endowed with tālavol_II_p116

shukacancu_definition_svaras_patas_regional definition

Śukacañcu is sung with svaras and pāṭas in various regional languages, beginning with rāga-with-gamaka, endowed with tāla.

SHUKACANCU = {'svaras':True,'patas':True,'regional_languages':True,'opens_with':'raga_with_gamaka','has_tala':True}

enthat which is endowed with tāla, is sung with svaras and pātas (and) is sung in the languages of various regions, is named śukacańcuvol_II_p116

§biruda_forconstruction

(host_form: str, theme: str) → Biruda

Sourced by

R_c94_birudas definition

birudas = phrases eulogistiques (plénitude, renoncement, bien-être, prospérité) employées dans kanda, hayalīlā, simhalīlā, vicitra, tripadī/ṣaṭpadī, pratāpavardhana

FUNCTION include_birudas(composition): # eulogy themes: plenty / renunciation / well-being / prosperity IF composition.type IN {kanda, hayalila_2nd_half, simhalila, vicitra, tripadi, satpadi, pratapavardhana}: composition.add_birudas(theme=eulogy_of(composition.object_of_description)) RETURN composition

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

enbirudas (eulogistic phrases) related to plenty, renunciation, well-being or prosperityvol_II_p114

+ 4 more verbatim

R_472_biruda definition

Biruda is a panegyrical Sanskrit compound phrase that structurally marks the ending of graceful pada in certain elās.

biruda := panegyrical_phrase(language='sanskrit', form='compound'); IF in_ela AND pada == 'graceful': position = end; followed_by gamaka_on_yati

en(It) is with graceful pada, ends in biruda and similarly there is gamaka placed on the yati.vol_II_p124

enBiruda is a panegyrical phrase. Sanskrit language being very rich in potential for formation of compoundsvol_II_p167

Constraints (5)

Validators that raise on configurations forbidden by the rules. Each cites the rule(s) it enforces.

§is_valid_prabandha_ordinal

ordinal ∈ [1, 48]

Sourced by

There are 48 (eight above forty) varieties of beautiful prabandhas; mātṛkā is the 43rd, with other forms numbered in the forties.

count(beautiful_prabandhas) := 48; index(matrika) := 43

eneight above forty 92 (48) beautiful prabandhas are clearly to be seen.vol_II_p129

enthe prabandha bearing the name mātṛkā is known to be three more (than forty)vol_II_p112

§is_valid_caccatputa_kala_marga

(kala, mārga) pair present in sourced row

Sourced by

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

§is_valid_biruda_host

host ∈ BIRUDA_HOSTS

Sourced by

R_c94_birudas definition

birudas = phrases eulogistiques (plénitude, renoncement, bien-être, prospérité) employées dans kanda, hayalīlā, simhalīlā, vicitra, tripadī/ṣaṭpadī, pratāpavardhana

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

enbirudas (eulogistic phrases) related to plenty, renunciation, well-being or prosperityvol_II_p114

+ 4 more verbatim

§is_valid_varnaila_syllable_count

count ∈ [11, 17]

Sourced by

The seven varṇailā varieties progress from eleven to seventeen syllables per foot in sequence.

def varnaila_syllable_count(variety_index): assert 0 <= variety_index < 7 return 11 + variety_index # 11..17

enBeginning with eleven syllables and ending with seventeen (syllables in each foot), these seven are sung in sequencevol_II_p123

§is_valid_gamaka_in_ela

in elā contexts, tempo = vilambita (sthita)

Sourced by

gamaka_sthita_in_ela validation

In elā, the gamaka must be rendered sthita (slow/steady).

def gamaka_in_ela(form, gamaka): if form == 'ela': assert gamaka.tempo == 'sthita'

enthe gamaka should be made sthita53 (slow?); this is the prescription in respect of elās.vol_II_p122

Types (12)

Enums and structures used by operations and constraints. Members are exhaustively those attested in the source.

§KalaEnum[str]

Time-division magnification of a tāla.

3 members

values : ekakala, dvikala, catuskala

full module docstring

Time-division magnification of a tāla.

Caccatpuṭa (and other tālas) operate in three kala-grades:
ekakala (×1), dvikala (×2), catuṣkala (×4). Each kala pairs with a mārga.

evidence: R_40_caccatputa_kala_marga (aff#393),
          R_gandharva_def (5 tālas × 3 mārgas)

Sourced by

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

R_gandharva_def relation

Gāndharva = upaveda (sub-Veda) of Sāmaveda; its rhythmic system has five tālas, each with three mārgas

DEFINE gāndharva: upaveda_of = Sāmaveda; tālas = 5; mārgas_per_tāla = 3 (citra/vārtika/dakṣiṇa)

enGāndharva is the upaveda (sub-Veda) of Sāmaveda.vol_I_p084

enEach of the five tālas of gāndharva have threevol_I_p103

§MargaEnum[str]

The three mārgas (tempo/style classes) of the gāndharva system,

3 members

values : citra, vartika, daksina

full module docstring

The three mārgas (tempo/style classes) of the gāndharva system,
paired one-per-kala on caccatpuṭa-type tālas.

evidence: R_gandharva_def (aff#3155: "Each of the five tālas of gāndharva
          have three mārgas"), R_40_caccatputa_kala_marga (aff#393)

Sourced by

R_gandharva_def relation

Gāndharva = upaveda (sub-Veda) of Sāmaveda; its rhythmic system has five tālas, each with three mārgas

DEFINE gāndharva: upaveda_of = Sāmaveda; tālas = 5; mārgas_per_tāla = 3 (citra/vārtika/dakṣiṇa)

enGāndharva is the upaveda (sub-Veda) of Sāmaveda.vol_I_p084

enEach of the five tālas of gāndharva have threevol_I_p103

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

§GitiEnum[str]

gīti for catuṣkala/dakṣiṇa not named in 6b — see UNRESOLVED

2 members

values : magadhi, sambhavita

full module docstring

Gīti style coupled to (kala, mārga) pair under caccatpuṭa.

evidence: R_40_caccatputa_kala_marga (aff#393, "in citra mārga there is
          māgadhī gīti; in vārtika mārga there is sambhāvitā gīti")

Sourced by

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

§CompositionTypeEnum[str]

The two macro-classes of rhythmic music.

2 members

values : gandharva, desi

full module docstring

The two macro-classes of rhythmic music.

Gāndharva = mārga (Vedic/canonical), 5 tālas × 3 mārgas, upaveda of
Sāmaveda. Deśī = regional/local — "innumerable as deśī music".

evidence: R_gandharva_def (aff#2902 upaveda, aff#3155 5×3),
          prabandhas_chapter_origin_innumerable (aff#1306, aff#1317),
          desi_gita_uses_vastu (aff for desī gītas)

Sourced by

R_gandharva_def relation

Gāndharva = upaveda (sub-Veda) of Sāmaveda; its rhythmic system has five tālas, each with three mārgas

DEFINE gāndharva: upaveda_of = Sāmaveda; tālas = 5; mārgas_per_tāla = 3 (citra/vārtika/dakṣiṇa)

enGāndharva is the upaveda (sub-Veda) of Sāmaveda.vol_I_p084

enEach of the five tālas of gāndharva have threevol_I_p103

prabandhas_chapter_origin_innumerable structural

Prabandhas are the subject of Chapter VI of Bṛhaddeśī, originate from the faces of Hara (Śiva), are innumerable as deśī music, and are not known by those of scant understanding.

chapter(prabandha) := 6; origin := faces_of(siva); count(prabandhas_desi) := innumerable; accessibility := not_known_by(scant_understanding)

enChapter V (Deśī rāgas) Chapter VI (Prabandhas)vol_II_p008

sktदेशिकारप्रबन्धा ये हरवक्त्राभिनिर्गताःvol_II_p111

+ 2 more verbatim

desi_gita_uses_vastu relation

Desī gītas employ the vastu form (also used in drama).

desi_gita USES vastu; drama USES vastu

enthat is vastu used in desī gītas as well as in drama.vol_II_p115

§SthanaEnum[str]

Tempo grades for a gamaka.

3 members

values : druta, madhya, vilambita

full module docstring

Tempo grades for a gamaka.

evidence: R_1008_sphurita_tempos ("Sphurita gamaka is performed in fast,
          medium and slow tempos"), gamaka_sthita_in_ela (aff#1449)

Sourced by

R_1008_sphurita_tempos structural

Sphurita gamaka is performed in fast, medium and slow tempos

ASSIGN allowed_tempos(sphurita) := {druta_fast, madhya_medium, vilambita_slow}

sktस्फुरितं तत्र कर्तव्यं द्रुतमध्यविलम्बितम् ।vol_II_p096

gamaka_sthita_in_ela validation

In elā, the gamaka must be rendered sthita (slow/steady).

def gamaka_in_ela(form, gamaka): if form == 'ela': assert gamaka.tempo == 'sthita'

enthe gamaka should be made sthita53 (slow?); this is the prescription in respect of elās.vol_II_p122

§CompositionElementEnum[str]

The seven structural elements that combine to build a prabandha.

7 members

values : svara, pada, pata, tenaka, biruda, gamaka, hand_pata

full module docstring

The seven structural elements that combine to build a prabandha.

Compiled from explicit composition/relation rules across the domain.
Each element below has at least one rule body that names it as a
constituent of a sourced composition.

evidence: R_204_varnasvara_definition (svara, pada, pata, tenaka, hand_pata),
          R_172_kanda_definition (pata, biruda),
          R_c94_birudas (biruda),
          BD_6_1_R028 (tenaka),
          R_446_pratitala_rel (pada, svara),
          R_1132_01 (pada, svara, pata),
          gamaka_in_shukacancu_opening (gamaka)

Sourced by

R_204_varnasvara_definition definition

Varṇasvara (46th prabandha) is composed with hand pāṭas, tenakas, svaras, padas, pāṭas, sung in combination with tāla

DEFINE varnasvara AS prabandha[rank=46] WHERE components={hand_patas, tenakas, svaras, padas, patas} AND sung_with=tala

enThat which is composed with pāṭas of the hand and is again combined with tenakas, is combined with svaras, padas, pāṭas and tenakasvol_II_p129

enThis varņasvara is known to be (numbered) forty combined with sixvol_II_p113

R_172_kanda_definition definition

Kanda is the first prabandha, bereft of tāla, combined with pāṭas and birudas, mixed with Karpāṭa language pada

DEFINE kanda AS prabandha WHERE rank=1 AND tala=null AND contains({patas, birudas}) AND text_language=karpata

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

sktआद्यः प्रबन्धः कन्दाख्योvol_II_p111

+ 1 more verbatim

R_c94_birudas definition

birudas = phrases eulogistiques (plénitude, renoncement, bien-être, prospérité) employées dans kanda, hayalīlā, simhalīlā, vicitra, tripadī/ṣaṭpadī, pratāpavardhana

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

enbirudas (eulogistic phrases) related to plenty, renunciation, well-being or prosperityvol_II_p114

+ 4 more verbatim

+ 6 more rule(s) : BD_6_1_R028, R_446_pratitala_rel, R_1132_01, gamaka_in_shukacancu_opening, pada_one_of_four_gita_components, R_378_gamakas

§PrabandhaDefectEnum[str]

6 members

Sourced by

prabandha_defects validation

A defective prabandha exhibits faults: defective by loka or śāstra standards, repetitive, defective in metre, vulgar/indecent, deviation from proper order.

defects(prabandha) := {loka_defective, sastra_defective, repetitive, metre_defective, vulgar, order_deviation}

endefective by the standard of the people (loka), defective by śāstraicvol_II_p129

§TalaConfigdataclass(frozen=True)

A tāla instance under a specific kala / mārga selection.

full module docstring

A tāla instance under a specific kala / mārga selection.

evidence: R_40_caccatputa_kala_marga, R_c47_caccatputa, R_gandharva_def

Sourced by

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

R_c47_caccatputa structural

caccatpuṭa = premier des 5 tālas du Nāṭyaśāstra XXXI, caturasra, 4 kalās = 8 mātrās; lié à Gāndhārodīcyavā, Kārmāravī (16 kalās variante), et chants svara+pada

enThe tāla should be known as caccatpuța.vol_II_p038

enCaccatpuța (is the tāla), there are sixteen kalās.vol_II_p042

+ 3 more verbatim

R_gandharva_def relation

Gāndharva = upaveda (sub-Veda) of Sāmaveda; its rhythmic system has five tālas, each with three mārgas

DEFINE gāndharva: upaveda_of = Sāmaveda; tālas = 5; mārgas_per_tāla = 3 (citra/vārtika/dakṣiṇa)

enGāndharva is the upaveda (sub-Veda) of Sāmaveda.vol_I_p084

enEach of the five tālas of gāndharva have threevol_I_p103

§Prabandhadataclass(frozen=True)

A prabandha = a song-form. The Brihaddesi describes 48 (aff#1519);

full module docstring

A prabandha = a song-form. The Brihaddesi describes 48 (aff#1519);
deśī instances are innumerable (aff#1306).

evidence: prabandha_chapter_and_authority, prabandha_enumeration_48_varieties,
          R_172_kanda_definition (template for fields)

Sourced by

prabandha_chapter_and_authority structural

Prabandha is treated in the Prabandhādhyāya (sixth chapter) of Bṛhaddeśī, taught for entertainment of the wise, with Matanga as speaker; uddeśa lists do not match described forms exactly; Pratāpavardhana is an example.

chapter(prabandha) := 6; speaker := matanga; audience := wise; example := pratapavardhana; uddesa_list != described_list

enthat is said to be the prabandha pratāpavardhana.vol_II_p129

enI have spoken of the prabandha for the entertainment of the wise.vol_II_p130

+ 3 more verbatim

There are 48 (eight above forty) varieties of beautiful prabandhas; mātṛkā is the 43rd, with other forms numbered in the forties.

count(beautiful_prabandhas) := 48; index(matrika) := 43

eneight above forty 92 (48) beautiful prabandhas are clearly to be seen.vol_II_p129

enthe prabandha bearing the name mātṛkā is known to be three more (than forty)vol_II_p112

R_172_kanda_definition definition

Kanda is the first prabandha, bereft of tāla, combined with pāṭas and birudas, mixed with Karpāṭa language pada

DEFINE kanda AS prabandha WHERE rank=1 AND tala=null AND contains({patas, birudas}) AND text_language=karpata

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

sktआद्यः प्रबन्धः कन्दाख्योvol_II_p111

+ 1 more verbatim

+ 1 more rule(s) : R_vastu_prabandha

§Varnailadataclass(frozen=True)

A varṇailā = a syllable-regulated elā variety. Seven varieties named

full module docstring

A varṇailā = a syllable-regulated elā variety. Seven varieties named
in aff#1452, with syllable count 11..17 per foot (aff#1456).

Varṇailā is "regulated by syllable count alone, with no regulation of
tāla, rasa, or rāga" (aff#1460) — but is sung in tālas {maṇṭha, dvitīya,
kaṅkāla, ḍmatitāla} (aff#1462). The two statements are reconciled by
reading "no regulation" as "no metre-derived obligation".

evidence: varnaila_seven_varieties, varnaila_seven_count,
          varnaila_syllable_count_progression, varnaila_regulated_by_syllables_only,
          varnaila_talas_set

Sourced by

varnaila_seven_varieties enumeration

Varṇailā has seven varieties: madanavatī, śaśilekhā, prabhāvatī, mālatī, lalitā, hemavatī, kusumavatī.

VARNAILA_VARIETIES = ['madanavati','shashilekha','prabhavati','malati','lalita','hemavati','kusumavati']

enMadanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) kusumavatī, these seven are the elās regulated on the basis of varņa (syllable).vol_II_p123

varnaila_seven_count enumeration

There are seven varieties of varṇailā described in a similar (samarasa) manner.

VARNAILA_VARIETY_COUNT = 7

ennow the seven varnailās are being described in a way similar (samarasa) to the same.vol_II_p124

The seven varṇailā varieties progress from eleven to seventeen syllables per foot in sequence.

def varnaila_syllable_count(variety_index): assert 0 <= variety_index < 7 return 11 + variety_index # 11..17

enBeginning with eleven syllables and ending with seventeen (syllables in each foot), these seven are sung in sequencevol_II_p123

+ 3 more rule(s) : varnaila_regulated_by_syllables_only, varnaila_talas_set, varnaila_definition_quality_descriptions

§GamakaApplicationdataclass(frozen=True)

A gamaka rendered in a specific compositional context.

full module docstring

A gamaka rendered in a specific compositional context.

Constraints:
- In elā, gamaka must be sthita (slow/steady) — gamaka_sthita_in_ela (aff#1449)
- In śukacañcu, gamaka opens the composition combined with tāla —
  gamaka_in_shukacancu_opening (aff#1378)
- Gamaka is not restricted to "shake" — gamaka_definition_vocal_ornament_inc_shakes (aff#1897)

evidence: R_378_gamakas, gamaka_sthita_in_ela, gamaka_in_shukacancu_opening,
          gamaka_definition_vocal_ornament_inc_shakes

Sourced by

R_378_gamakas definition

Gamakas are melodic ornaments delightful to the ear, characteristically employed in vibhāṣā gīti compositions, often with sweet svaras.

IF composition_type == 'vibhasha_giti': REQUIRE gamakas with attributes {attractive, numerous, brilliant, shaken, chest_region, smooth, delightful}; gamakas combined_with sweet_svaras

enVibhāṣā gīti should be composed with gamakas that are attractive, numerous, brilliant, shakenvol_II_p051

enand is made of sweet svaras alongwith gamakasvol_II_p093

gamaka_sthita_in_ela validation

In elā, the gamaka must be rendered sthita (slow/steady).

def gamaka_in_ela(form, gamaka): if form == 'ela': assert gamaka.tempo == 'sthita'

enthe gamaka should be made sthita53 (slow?); this is the prescription in respect of elās.vol_II_p122

gamaka_in_shukacancu_opening relation

In śukacañcu compositions, gamaka appears at the beginning, in association with rāga and combined with tāla.

SHUKACANCU_OPENING = {'first_element':'raga_with_gamaka','accompanied_by':'tala'}

enIn the beginning there is rāga with gamaka, that which is endowed with tālavol_II_p116

+ 1 more rule(s) : gamaka_definition_vocal_ornament_inc_shakes

§Birudadataclass(frozen=True)

A panegyrical Sanskrit compound phrase.

full module docstring

A panegyrical Sanskrit compound phrase.

evidence: R_472_biruda (aff#1983, aff#1467), R_c94_birudas

Sourced by

R_472_biruda definition

Biruda is a panegyrical Sanskrit compound phrase that structurally marks the ending of graceful pada in certain elās.

biruda := panegyrical_phrase(language='sanskrit', form='compound'); IF in_ela AND pada == 'graceful': position = end; followed_by gamaka_on_yati

en(It) is with graceful pada, ends in biruda and similarly there is gamaka placed on the yati.vol_II_p124

enBiruda is a panegyrical phrase. Sanskrit language being very rich in potential for formation of compoundsvol_II_p167

R_c94_birudas definition

birudas = phrases eulogistiques (plénitude, renoncement, bien-être, prospérité) employées dans kanda, hayalīlā, simhalīlā, vicitra, tripadī/ṣaṭpadī, pratāpavardhana

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

enbirudas (eulogistic phrases) related to plenty, renunciation, well-being or prosperityvol_II_p114

+ 4 more verbatim

Constants (12)

Named values pinned directly to source quotes (numbers, ordered lists, named svaras).

§CACCATPUTA_KALA_MARGA_GITItuple[(Kala, Marga, Giti|None), ...]

3 values

Sourced by

Caccatpuṭa tāla varies by time division (ekakala→citra/māgadhī; dvikala→vārtika/sambhāvitā; catuṣkala→dakṣiṇa)

MAP caccatputa.kala → {ekakala: (citra, magadhi), dvikala: (vartika, sambhavita), catuskala: (daksina, ?)}

enCaccatpuṭa is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī gītivol_II_p034

§CACCATPUTA_RANK_IN_NS_XXXI / SHAPE / KALAS_DEFAULT / MATRAS_DEFAULT / KALAS_KARMARAVI_VARIANTint / str

Sourced by

R_c47_caccatputa structural

caccatpuṭa = premier des 5 tālas du Nāṭyaśāstra XXXI, caturasra, 4 kalās = 8 mātrās; lié à Gāndhārodīcyavā, Kārmāravī (16 kalās variante), et chants svara+pada

enThe tāla should be known as caccatpuța.vol_II_p038

enCaccatpuța (is the tāla), there are sixteen kalās.vol_II_p042

+ 3 more verbatim

§GANDHARVA_N_TALAS / GANDHARVA_N_MARGAS_PER_TALA / GANDHARVA_UPAVEDA_OFint / str

values : 5, 3, samaveda

Sourced by

R_gandharva_def relation

Gāndharva = upaveda (sub-Veda) of Sāmaveda; its rhythmic system has five tālas, each with three mārgas

DEFINE gāndharva: upaveda_of = Sāmaveda; tālas = 5; mārgas_per_tāla = 3 (citra/vārtika/dakṣiṇa)

enGāndharva is the upaveda (sub-Veda) of Sāmaveda.vol_I_p084

enEach of the five tālas of gāndharva have threevol_I_p103

§PRABANDHA_ORDINALdict[str, int]

24 values

Sourced by

R_172_kanda_definition definition

Kanda is the first prabandha, bereft of tāla, combined with pāṭas and birudas, mixed with Karpāṭa language pada

DEFINE kanda AS prabandha WHERE rank=1 AND tala=null AND contains({patas, birudas}) AND text_language=karpata

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

sktआद्यः प्रबन्धः कन्दाख्योvol_II_p111

+ 1 more verbatim

R_vrtta_prabandha structural

Vṛtta = 2nd prabandha; no tāla regulation when composed in metres {āryā, dvipatha, vṛtta, gāthā, dodhaka, toṭaka}; svara placing prescribed at the end (or absent per some)

DEFINE prabandha(vṛtta): ordinal = 2; tāla_regulation = NONE when metre ∈ {āryā, dvipatha, vṛtta, gāthā, dodhaka, toṭaka}; svara_placement = end_only (variant: devoid_of_svara per some authorities)

sktवृत्तो नाम द्वितीयकःvol_II_p111

enThere is never a regulation...in vṛtta (composed in) āryā, dvipatha, vṛtta, gāthā, dodhaka and similarly toṭaka.vol_II_p113

+ 1 more verbatim

R_5p2_1083 enumeration

Catuṣpadī occupies the eleventh position in the prabandha enumeration

position(catuspadi, prabandha_list) = 11

sktएकादशमिते स्थाने गदिता सा चतुष्पदीvol_II_p111

§PRABANDHA_VARIETIES_TOTALint

Sourced by

There are 48 (eight above forty) varieties of beautiful prabandhas; mātṛkā is the 43rd, with other forms numbered in the forties.

count(beautiful_prabandhas) := 48; index(matrika) := 43

eneight above forty 92 (48) beautiful prabandhas are clearly to be seen.vol_II_p129

enthe prabandha bearing the name mātṛkā is known to be three more (than forty)vol_II_p112

§PRABANDHA_TALAdict[str, str|None]

8 values

Sourced by

R_172_kanda_definition definition

Kanda is the first prabandha, bereft of tāla, combined with pāṭas and birudas, mixed with Karpāṭa language pada

DEFINE kanda AS prabandha WHERE rank=1 AND tala=null AND contains({patas, birudas}) AND text_language=karpata

enThat which is bereft of tāla and is combined with pāṭas and birudas, that is kandavol_II_p113

sktआद्यः प्रबन्धः कन्दाख्योvol_II_p111

+ 1 more verbatim

R_5p2_1135 composition

Kalahaṁsa prabandha is set to jhampā tāla

IF prabandha == kalahamsa THEN tala = jhampa

sktझम्पादितालसंयुक्तःvol_II_p118

R_1367_kalahamsaka_composition composition

Dans le prabandha kalahaṁsaka, le pada est construit avec des notes nabhajava puis svaras avec jhampata tāla.

COMPOSE kalahamsaka: pada FROM nabhajava_notes THEN svaras WITH tala=jhampata

sktपादो नभजवैर्युक्तः कर्तव्यः... झम्पातालेन मेधावी प्रबन्धे कलहंसकेvol_II_p153

+ 6 more rule(s) : R_1122_turagalila_hayalila, R_1124_gajalila_definition, R_1131_aditala_simhavikranta, R_1115_krauncapada_composition, R_446_pratitala_rel, R_1141_bandhakarana_definition

§VARNAILA_TALAStuple[str, ...]

4 values

Sourced by

varnaila_talas_set enumeration

Varṇailā is sung in tālas including maṇṭha, dvitīya, kaṅkāla, and ḍmatitāla.

VARNAILA_TALAS = ['mantha','dvitiya','kankala','dmatitala']

enIt is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla.vol_II_p124

R_4p1_473 enumeration

kaṅkāla is one of the tālas in which varṇailā is performed (alongside maṇṭha, dvitīya, jhaṁpatitāla)

DEFINE tālas(varṇailā) ⊇ {maṇṭha, dvitīya, kaṅkāla, jhaṁpatitāla} INCLUDE kaṅkāla

enIt is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla.vol_II_p124

§VARNAILA_VARIETIES_SEVENtuple[str, ...]

7 values

Sourced by

varnaila_seven_varieties enumeration

Varṇailā has seven varieties: madanavatī, śaśilekhā, prabhāvatī, mālatī, lalitā, hemavatī, kusumavatī.

VARNAILA_VARIETIES = ['madanavati','shashilekha','prabhavati','malati','lalita','hemavati','kusumavati']

enMadanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) kusumavatī, these seven are the elās regulated on the basis of varņa (syllable).vol_II_p123

varnaila_seven_count enumeration

There are seven varieties of varṇailā described in a similar (samarasa) manner.

VARNAILA_VARIETY_COUNT = 7

ennow the seven varnailās are being described in a way similar (samarasa) to the same.vol_II_p124

§VARNAILA_MIN_SYLLABLES / VARNAILA_MAX_SYLLABLESint

values : 11, 17

Sourced by